When composing, or creating, there are a few elements that we can consider to help create something that conveys meaning and makes sense to the person listening. We should also think about these same elements when creating a drum solo. The difference is that it is been created on the fly. This preparation and pre-thought has already been done in the practice room. PHRASING Music is a form of communication. So to help people to understand what we are saying we need to use good phrasing. This would commonly be 2, 4, 8, or 16 bar lengths. We can also use questions and answers to create phrasing. CONTRASTS To make our creations interesting we need to use contrasts. Pitch High vs Low Rhythm Long vs short Tempo Fast vs slow Density Lots of notes notes vs few notes Space sparse vs dense Volume Quiet vs loud Sound colour Use of different parts of the drum . i.e. Different parts of the head, rims or shells Use of brushes, mallets or hands Cymbals vs drums FORM There are many different song structures that we can use. Some examples are: Binary AB Ternary ABA Rondo ABACA Sequential ABCD Song Form Intro - Verse - Chorus -Verse - Chorus - Bridge - Verse - CH - Ending Jazz Form
Intro Melody Play through the whole form of the tune. In Jazz standard tunes, usually an 8 bar A section played twice. An 8 bar B section, followed by the repeat of the A. AABA. Solos Players take turns to solo over the form while the rhythm section plays the harmonic changes. Melody After the last solo, the melody is played again. Ending Often a tag ending where the last phrases is repeated 3 times. Then the end. usually either an abrupt stop, or a long hang. Drum Solo Form When creating a drum solo, a common form is a sequential form with an intro and an ending. Intro A B C D etc Ending Sometime each section is quite separate or sometimes we can make the ideas develop into each other. Sort of like a club remix where the songs gradually overlap, and before you know if you are in a new place or song. This is sometimes called Thematic Development
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Contents
Chapter 1 Popular Music - an overview Rudiments - intro 1. Single Stroke Roll Multiple Bounce Rolls Double Stroke Rolls Open Rolls 5, 6 and 7's 9, 10, and 11's 13,15, and 17's 2. Diddle Rudiments 3. Flam Rudiments Part 1 Part 2 4. Drag Rudiments Moeler Technique Warm Up Routine - Adv Chapter 2 Jazz 1 - Adding the SD Jazz 2- Adding the BD Jazz 3 - Putting it together - Reading the Hits 3/4 Jazz Greatest Jazz Drummers Doxy Chapter 3 Latin Music Cha-Cha Afro-Cuban Instruments Sway Mambo Bongos Conga Conga Songs Brazillian Instruments Bossa-nova Samba 6/8 Afro Cuban Chapter 4 Country Gospel Turn On Your Love Light Motown I Can't Help Myself Funk it Up! Chapter 5 Odd time Signatures - Money - Pink Floyd - Odd time Sting Songs Double Bass Drum - Rhythmic Scale - 4 way Coordination Double Bass Drum Songs Overture 1928 Practice ex Chapter 6 Putting it All Together Composing Categories |